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This Thursday, May 22nd a very unique art exhibit will open in New York City. It features art from Iraqi artists, most of whom cannot even be publicly identified for their safety. It was a Navy Lieutenant serving in Iraq that found this art and worked to bring it over to the United States to exhibit and sell for the artists. I served with that Lieutenant, Chris Brownfield, for about two years when we were both stationed on the same submarine. He’s a very unique guy, as this initiative suggests!

From 2006 to 2007, a military liaison officer in the U.S. Embassy of Baghdad worked on the sidelines to develop relations with the artists of Baghdad. Under extremely unlikely circumstances, several of Baghdad’s artists trusted this military officer to share their art with the world. It is the first collection of art in the United States comprised entirely of works from wartime contemporaries of Iraq. The scope of the exhibition is unprecedented, including works on Iraqi refugees, the children of war, genocide, and an Iraqi perspective on Shock and Awe.

The exhibition is taking place at the Pomegranate Gallery on 133 Greene Street in SoHo (see map here). The opening reception runs from 6–8pm on Thursday May 22nd, and the exhibition will be open through June 21st.

Jake Halpern wrote a great article about the exhibit in New York Magazine. He even managed to speak (via phone) to a couple of the artists involved. One of my favourite parts of the article describes how Chris had to pull rank with the military postal clerks in order to send the 100+ paintings back to the US!

If you can’t make it to the gallery, Chris has also produced a book that includes much of the same artwork. It’s tri-lingual in English, French and Arabic. You can buy it from Amazon.com here: Oil on Landscape; Art from Wartime Contemporaries of Baghdad.

If you live in or near New York City, I hope you get a chance to drop in on the exhibit; it should be interesting.

So I read this article in the New York Times the other day about how last year was such a blockbuster for films that this year will almost certainly look bad in comparison. But what absolutely blew me away was the “interactive chart” that went with the article.

You HAVE to check it out by clicking here.

It shows in one single graph every major film that’s been released in the last twenty years, how much it made per week by week, and how much it made total. WOW!

I’m sure Edward Tufte would be proud of this. It’s an absolutely amazing chart. It definitively shows that the blockbuster films are put out in the early- to mid- summer and Thanksgiving to Christmas periods. It’s also interesting to see how some films die quite quickly, but others last for quite a bit. Oscar winners in particular seem to have a January to March boost, or at least “extension”.

The first time I saw the chart I thought it was pretty interesting, and then I realised it went back twenty years. As a kid who grew up in the Midwest, I saw a lot of films growing up; it seemed to be the standard thing to do on dates. Scrolling through the chart was a pleasant trip down memory lane.

So I saw this video online… a bunch of metronomes start at different timings and then, without any adjustment to the metronomes themselves, sync into the same timing.

Check it out here:

I originally heard it through a CMJ New Music Monthly CD. For some reason when I listened to it late last week it got completely and totally stuck in my head. It’s a song called “I’d Rather Dance With You” by a band called Kings of Convenience. (They’re a Norwegian duo.) Video is here, with seeming references to Napoleon Dynamite: